(Source: chevreau)

19juillet:

Detective Comics Vol 1 #241. March, 1957

19juillet:

Detective Comics Vol 1 #241. March, 1957

(Source: vintagegal)

1000scientists:

Anton
[Flash 9 is required to listen to audio.]

Iron & Wine - Such Great Heights

(Source: indiesque)

(Source: lvrbrd7)

hollowfeathers:

No doubt many of you have seen these, but I’d like to share them anyways. I found the full(?) set here: http://www.stumbleupon.com/su/30rJES, using StumbleUpon like the cheap bastard I am.

EDIT:

The artist’s website can be found here: http://www.tinymediaempire.com/

Much thanks to whatisagorman for pointing it out.

Palette/Color tutorial by neonnoodle

simonist:

[This is off one of Neonnoodle’s posts from SomethingAwful, but it’s such a useful technique I wanna repost it here.]

Here’s one approach I’ve found, which is based on the gamut mask idea, but a little simpler and tuned to working in PS:

1. Start with three color swatches: a red/magenta of some kind, a yellow of some kind, and a blue/cyan of some kind. They don’t have to be crayon-box “red” “yellow” “blue” — the nice thing here is that you can decide how warm or cool you want the overall cast of the color to be. So, for instance, you could pick a cool yellow, a purplish red, and an electric blue. Or a very orange red, a warm yellow, and a greenish blue. Or even substitute green for blue. Experiment here. Even colors which are completely hideous will mellow out, so don’t be afraid.



2. Draw your 3 swatches in a tight triangle so that they are bumping up against each other in the center. Then use a smudge tool with scattering on for a blender, and blend the edges of each color into each other:


(I also had pressure set so I wouldn’t blend too hard, but that’s optional. Scattering is the important one.)

3. Now you have a neutralized color wheel. The closer toward the center you go, the more neutral the palette becomes:





(here they all are against 50% gray)


4. Now you can start establishing the values for the colors you might want to use. Use the L (Lightness) with Lab sliders on the color panel (even if you’re using RGB or CMYK color for your document) because “Brightness” (HSB) is a load of horseshit.



5. By the way, here’s what the color wheels from those other colors from the beginning would look like:



And one other with more swatches:

nightingales replied to your link: soedible.tumblr.com

it looks gorgeous! Eo is such a fantastic coder, I can’t even imagine wrangling with Tumblr coding at all.


aw same! it looks like a nightmare. e___e

i tried helping out with it yesterday but just ended up flipping tables and whining
Eo is a coding god

soedible.tumblr.com

just going to leave this here cause i’m still not over the beautiful coding Eo did for our art blog layout!

we’re still working on it a little but but isn’t it so pretty?
i’m so happy with how it looks, THANK YOU EO ♥

Julian Totino Tedesco